New GUERRA Excerpt

July 3rd, 2009

A new excerpt from my current work-in-progress GUERRA for you all to check out and comment on …

And that night, somewhere amongst gel-filtered spotlights, designer drugs and the heartbeat of Russian breakbeats, the infection begins.

Erika Sørensen smiles as the man who has been flirting with her for half an hour or so arrives at a private booth with her drink refilled. She touches him casually as they talk and slowly, with social engineering skills carefully honed during her time as a hacker, she guides the conversation towards the discovery of Roisin Kennedy’s body and the BLAST group. She tells him of a friend of a friend who is involved in the investigation and knows for a fact that BLAST have been inactive for 15 years. She shrugs when he asks her what this might mean and leaves him to gestate his own theories.

A few hours later and she’s back at his place pretending to get as high as him and his friends and they’re in full conspiratorial flow, refracting theories off of one another, letting their natural paranoia blossom. She listens as the ideas are gradually sculpted, taking shape from their insecurities and prejudices, only joining in herself when she feels the integrity of the meme are under threat.

Simultaneously, Göran Priske is in a high-class cocktail club located, at least for this weekend, in a bunker-like structure far up the hillsides. The roof is curved and almost entirely made of glass, a row of bulky telescopes prodding through gaps in the structure.

Some of those gathered are sitting in the metal-framed chairs peering up towards the stars but most are slouched in the leather sofas that are scattered around the place. Moulded plastic tables house half-drained cups of imported espresso.

Göran has spent several hours tracking the conversations of the attendees and delivers a few choice comments at selected moments to one group after another. His touches are more deft than Erika’s, subtle enough that the subject of the murdered girl and BLAST barely come up, but he knows that the seeds have been sown and within a day the meme will be solidly lodged in their brains. He also knows that several of those he talks to have contacts in the pirate broadcasting community, others cool hunters for some of the marketing corporations based on the south side.

And Olof Krøldrup, earlier in the evening hanging out in a parking lot with street racers checking out the latest modifications to each other’s cars and delivering smoothly-package thought-bombs to the most influential amongst them, has joined Göran at the observatory. Göran’s initial seeding already placed, Olof almost imperceptibly reinforces the meme, often with little more than a nod of agreement to let someone know that their ideas have support or to guide them elsewhere when they are starting to stray. He spends some time with the agent of the model Mariana Quesada, having to adjust his language slightly when the man’s libertarian leanings become clear.

At sunrise Erika slips out of the apartment and at the same time Olof and Göran leave the observatory party, their work complete for now but the effects only just starting to build.

The man who brought Erika home emerges from his drug haze with the conspiracy theories still rattling around in his head and relates them to work colleagues at an expenses-paid lunch the next day. Three out of the five there return home and tell their partners and flatmates about the man’s ideas. Of those three, two repeat the gesture with their own friends and colleagues.

One of the cool hunters from the observatory writes up a report on the emerging trend for support for animal rights causes and specifically mentions BLAST. This is passed to the marketing directors of several firms that hire the hunters and the promotional campaigns for dozens of products are instantly adjusted.

The DJ that runs the decks at the observatory requests cuts from the news reports from a pirate friend of his to include as samples on some new tracks he is working on. The pirate is puzzled at how little material he can find without going back fifteen years and relates this to several other members of his crew.

And so two becomes four becomes sixteen becomes two-hundred and fifty-six.

The messages warps and changes but it travels and that, like a virus that only cares that it finds some host, any host, is all that matters.

PUBLICATION NEWS - Katja From The Punk Band accepted by ChiZine Pubs!

June 29th, 2009

Having  just signed and returned the contracts I can now officially confirm that ChiZine Publications have accepted my novel KATJA FROM THE PUNK BAND for publication in 2010!

The full details (as they currently stand) are that there will first be a March 2010 release for a limited edition hardcover followed by an April 2010 paperback release.  Cover artwork will be done by Erik Mohr (who has done all the other ChiZine Pubs book covers) which will mean this will be the first book i’ve published that I’ve not actually done the cover for too.  CZP have a distribution deal with the Literary Press Group right across Canada so the book will end up in stores nationwide over there plus will hopefully make it into some US/UK indy bookstores too with the hardcover being available exclusively through Horror Mall.

So pretty cool news for me.  So far all my major work has been published by Prime Books whom I continue to have a relationship with, however I do think it will be interesting to work with another publisher on this project.  I have to admit my surprise at Brett (the publisher at CZP) accepting it as I thought it might have been a little outside of the sphere for what they were looking for but both him and his editor and wife Sandra loved the manuscript which is nice to hear.

Katja From The Punk Band is a short industrial crime novel featuring a cast of characters whose stories wrap around one another as they all try to get their hands on a chemical vial.   Fast-paced, written in short chapters, and designed to drag the reader along in top gear, Katja From The Punk Band is something a bit different from me but should be enjoyed by anybody who likes me stuff as well as (hopefully) bringing in some new readers.

You can find out more about the book on my site and of course I will post any updates or news relating to it in the usual places.

GUERRA 1st Draft almost done

June 26th, 2009

I finished writing the last scene I had to go back and do in GUERRA last night so what I need to do is basically go through it all once more and possibly minorly redo some scenes and tweak in places.

I have built up an edit list for the second draft whilst still working on the first, mainly because I prefer to stick to the method of not going back and editing whilst still working on a draft unless it is something major that will mean that I will have to undo it all - it helps me keep up my momentum and I am able to juggle the bits that I’m writing whilst also knowing that they could change.  With that said there are some minor things I’d like to do (including rewriting the first chapter which starts at the end and now that I’ve written the end and know how it goes I can synchronise the two) before saying that the first draft is done.  The rest of it I’ll leave for a few weeks then come back and start on the second draft which is usually my final draft apart from small edits here and there.

I don’t think there’s anything major needing done but then again once I start reading through it all I might change my mind.  For the most part it’ll be a case of making it all more subtle and taking out any repetitive stuff.  Writing something over the course of a couple of years means that you don’t really have the same sense of it as you do when you read it back over a few nights so no doubt there’ll be more work in there.

I might even consider opening it up to Beta readers though I doubt it …

Go See DOGHOUSE!

June 17th, 2009

Okay everybody if you haven’t already I want you all to go and see the movie DOGHOUSE right away!

It’s written by my very talented buddy Dan Schaffer (www.danielschaffer.com), author and creator of the DOGWITCH comic book as well as several very classy graphic novels and will probably only get a short run at the cinema so grab it while you can! Although the distributors fucked with Dan’s script it’s still a highly enjoyable film and everyone should GO SEE IT NOW!

Find out more here - http://www.doghousethemovie.com/

I am a number not a name

June 8th, 2009

When you apply for insurance you have to detail exactly what it is you are insuring - in this case a domestic shorthair cat, 4 years old-ish at the time we got her. When I took out the insurance I gave them these details, alongwith my own address and name details.  I also notified the insurers of her initial vet’s details, then of the new vets when we moved her there.  I, in return, was issued with an insurance policy number which, I’m assuming, is then linked to all these details.

WHY IS IT, then, that when Ihave to make a claim for the vet’s treatment of said cat, and I fill in a a claim form with my policy number do I also have to list my name, address, the name of the animal, its age, type, gender and which vet it is registered at!  What is the fucking point in giving me a policy number when I have to always give the full details of the animal anyway?!

It’s not just pet insurance but all insurance it seems.  When you take out a policy it covers the specific thing you have listed in the policy application, right?  So when I make a claim on my policy for my 2001 Honda Civic it is fairly unlikely that this car has somehow morphed into a 2006 Skoda Fabia or a frickin’ Pontiac.  So why do they need anything other than my policy number?!


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